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![]() They wound up in their Beverly Hills location thanks to mutual friend Liza Chasin, president of production at Working Title Films. We keep it small, because it keeps things much more containable.” ![]() “We read everything ourselves,” Witherspoon says. Pacific Standard is made up of only three employees, including the two principals - though Witherspoon jokes that her 15-year-old daughter Ava, who often recommends material, is their fourth staffer. They also agree on a mantra: Lean and mean. At that point, I knew we were going to be a good match.” “And the first thing Reese sent me was ‘Wild.’ It was exactly the kind of movie I wanted to make. “After our first meeting, we agreed to send each other some material,” Papandrea recalls. It was Strayed’s story that truly sealed the deal on their partnership. “She had a great attitude, her track record with material is fantastic, and she reads as voraciously as I do.” The two had crossed paths socially, and Witherspoon reached out to set up a business lunch, which essentially became the best blind date ever. Papandrea, who recently shepherded the Summit hit “Warm Bodies” to the bigscreen, and whose other credits include the Oscar-winning “Milk” and “All Good Things,” fit the profile. “I called my agent and said, ‘I need a producing partner, and I really want someone who is well-liked, has development experience and on-set experience.’ And that’s a tall order.” “My daughter was 13, and I wanted her to see movies with female leads and heroes and life stories,” Witherspoon says. Returning to producing was born of necessity, she says, after those initial meetings came up empty. Known for her portrayals of strong women in movies such as 1999’s “Election” and her Oscar-winning turn in 2005’s “Walk the Line,” Witherspoon had served as an exec producer on “Legally Blonde 2” and a producer on “Penelope” under her now-defunct Type A Films banner. Others, like Aniston, supplement acting income with hefty endorsement deals.The production company also just wrapped an action-comedy starring Witherspoon and Sofia Vergara titled “Don’t Mess With Texas,” a buddy movie about a police officer and a prisoner on the run. Some have forged their own roles to build opportunities for themselves: Witherspoon cofounded her Pacific Standard production company and Hello Sunshine media house to option rights for female-led parts. Yet the highest-paid actresses buck that trend: 60% of this year's list members are over the age of 40. Roles for women who are no longer young ingenues are few and far between. This year, only two women broached the $20 million mark, down from three in 2017 and four in 2016. Notably absent: Amy Adams, Emma Watson, Charlize Theron and last year's top-ranked Emma Stone, who all failed to earn above the $10 million cut off for this year's list and dropped off the ranking. That lack of roles means that there are fewer opportunities for female stars to earn big bucks. "The industry has had a hard time shifting to acknowledging that they need to hit a more diverse audience."Ĭurrently, female characters fill only 28.7% of all speaking roles in film, according to a 2016 study. "There was such an obsession in the industry that teenage boys were the primary target box office," said Jenkins, who helmed the smash hit and will be directing and writing its sequel for an estimated $7 million. Though she only made an estimated six figures for the first installment, her increased quote, coupled with a Revlon endorsement, launched her among the highest-paid. The Patty Jenkins-directed blockbuster tallied $821.8 million at the box office and scored a sequel, which accounts for the majority of Gadot's payday this year. Gadot, whose turn as Wonder Woman catapulted her to fame, is the only newcomer on the ranking. 8 $12.5 million) and Israeli Gal Gadot (No. The list examined actresses the world over, including Australian Cate Blanchett (No. All figures are pretax fees for agents, managers and lawyers are not deducted. Overall, the cumulative total is up 16% from $172.5 million in 2017. Earnings estimates are based on data from Nielsen, ComScore, Box Office Mojo and IMDB, as well as interviews with industry insiders. Together, the world's 10 highest-paid actresses tallied a combined $186 million between June 1, 2017, and June 1, 2018, before fees and taxes.
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